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A QUI L TOUR
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A QUI L TOUR
Bass guitar
Brass Quartet,Percussion Ensemble,String Quartet Bass Guitar - Digital Download SKU: A0…
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Brass Quartet,Percussion Ensemble,String Quartet Bass Guitar - Digital Download SKU: A0.1072639 Composed by SIMON PIERRE MESSELA. Arranged by SIMON PIERRE MESSELA. African,Folk,Musical/Show,World. Accompaniment. Duration 405. Simon Pierre Messela ( FIFI RIBANA) #4274799. Published by Simon Pierre Messela ( FIFI RIBANA) (A0.1072639). CAMEROONIAN RHYTHM TO DISCOVER FULL OF ENERGY AND AFRICAN TRADITIONAL SPIRITUALITY.
$1.99
1.86 €
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Bass guitar
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SIMON PIERRE MESSELA
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A QUI L TOUR
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Simon Pierre Messela
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SheetMusicPlus
DIES IRAE from REQUIEM by G. Verdi
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità, i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00
8.4 €
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Brass quartet : 2 trumpets, trombone, tuba
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Giuseppe Verdi
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DIES IRAE from REQUIEM by G. Verdi
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Music Macri Editions
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SheetMusicPlus
Jacques Dussouil: "Pastouroux et Pastourelles" from Quatre Noëls for SATB mixed chorus
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535408 Composed by Jacques…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535408 Composed by Jacques Dussouil. Christmas,Contemporary,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #4285279. Published by Musik Fabrik Music Publishing (A0.535408). Jacques Dussouil was the Titular Organist of the Grand Orgue Boisseau of Notre-Dame de Royan from 1966 until his death in 2016. During his studies at the High School of Poitiers, he was also the student of pianist Hélène d’Ambelle who was herself a student of the great French Pianist Alfred Cortot. It was his work with Jean-Albert Villard, the organist of the Cliquot organ of the Cathedral of Poitiers which would determine his vocation as an organist. Jacques Dussouil continued his studies in Paris with Noëlie Pierront and especially with Edouard SouberbielleHis duties at the Royan Cathedral lead him to also become a choral director and composer, founding one of the best Cathedral Choirs in France which he directed for many years. This activity lead to the compostion of a large number of sacred works, including his Mass in D for two organs and Chorus.4. Pastoureaux et Pasturelles1. Pastoureaux et pastourelles, Arrivent très vitementEt volant à tire d’aile, Des anges chantent gaiement.Gloria in excelsis, In excelsis Deo!2. Quelle est dans cette nouvelle, Qui s’lève jusqu’aux cieux?Pastoureaux et pastourelles, Que faites-vous en ce lieux?Gloria in excelsis, In excelsis Deo!3. Je viens voir ce bel enfantQu’en dit couché sur la pailleNous voulons dès maintenant, Le voir avant qu’il s’en aille.Gloria in excelsis, In excelsis Deo!4. On dit que dans une étableDans Bethléem assoupi, Un petit enfant aimableEst né puis s’est endormi.Gloria in excelsis, In excelsis Deo!5. Le monde entier qui l’ignoreSaura demain pour toujours.Que le ciel entier l’adore, L’enfant Dieu source d’amour.Gloria in excelsis, In excelsis Deo!
$1.99
1.86 €
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Choral SATB
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Jacques Dussouil
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Jacques Dussouil: "Pastouroux et Pastourelles" from Quatre Noëls for SATB mixed chorus
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Musik Fabrik Music Publishing
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SheetMusicPlus
My Ragtime Baby for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1242857
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1242857 Composed by Fred S. Stone. Arranged by Charles Decker. 19th Century,Jazz,March,Multicultural,Pop,World. 24 pages. Charles Decker Music Press #837904. Published by Charles Decker Music Press (A0.1242857). My Ragtime Baby was the 1898 mega hit featured in the Sousa Band European 1900 tour that introduced European audiences to American Ragtime. Fred Stone was a prominent African-American composer and conductor in the early Ragtime movement. The rag is arranged for two B-flat trumpets, horn in F, trombone and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!” Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.” Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series” in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99
12.12 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Fred S
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My Ragtime Baby for Brass Quintet
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Charles Decker Music Press
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SheetMusicPlus
Herbert L. Clarke - The Southern Cross for Solo Cornet with Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.810733 Composed by Herbert L. C…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.810733 Composed by Herbert L. Clarke. Arranged by Geoffrey Bergler. 20th Century,Folk. Score and parts. 19 pages. Gordon Cherry #1986139. Published by Gordon Cherry (A0.810733). Cornet solos are an important part of the American Brass tradition. The Southern Cross is one of Clarke's most well known Cornet solos and was written in 1911, dedicated to the Australians and first recorded by the composer with Orchestra the next year for Victor Records. During 1911, Clarke was the solo Cornetist of the Sousa Band while the band was on a world tour that included visits to South Africa, Tazmania and Australia from March through to August. Below is a photo of the Sousa band from their 1911 tour. Clarke is sitting in the front row 5th in from the right with his moustache and his Cornet on his lap. He assuredly composed this solo to perform on that tour. The Southern Cross is a constellation that is only seen from the southern hemisphere and features the five stars of the Cross from the 1901 design of the Australian flag. This 5-minute virtuosic arrangement by Geoffrey Bergler features not only the Cornet, but a bit of all the other four members of the Brass Quintet. Instrumentation is for: 2 Trumpets in B-flat (Trumpet 1 solo, Trumpet 2 also plays Piccolo) Horn, Trombone Tuba/Bass Trombone The sound track features Mr. Bergler from his student days as Cornet soloist.
$20.00
18.67 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Herbert L
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Herbert L. Clarke - The Southern Cross for Solo Cornet with Brass Quintet
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Gordon Cherry
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SheetMusicPlus
For Unto Us a Child Is Born from Messiah for Brass Quintet and Organ
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Euphonium,Flugelhorn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Downl…
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Brass Quintet Euphonium,Flugelhorn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.817139 Composed by George Frideric Handel. Arranged by Charles Decker. Baroque,Christmas,Easter,Holiday,Praise & Worship. 48 pages. Charles Decker Music Press #3898203. Published by Charles Decker Music Press (A0.817139). This spectacular tour de force for brass quintet and organ of Handel's famous chorus from his beloved Messiah oratorio is guaranteed to excite audiences and the performers. Set in the original key, it features the first trumpet on piccolo B-flat trumpet with alternative piccolo trumpet parts in A and C, the second trumpet on D trumpet with an alternate part in C., a flugelhorn/trumpet substitute part is included for horn, trombone in bass clef, tuba, and organ. The audio file is an actual brass quintet and organ performance of the entire arrangement and not a computer playback of the score. Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups. Use this link to Kendor Music for my original composition for brass quintet with narrator of the holiday classic story ’Twas the Night Before Christmas.See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. For more Charles Decker brass quintet editions use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$16.95
15.82 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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George Frideric Handel
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For Unto Us a Child Is Born from Messiah for Brass Quintet and Organ
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Charles Decker Music Press
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SheetMusicPlus
Satie: La Belle Excentrique - Grand ritournelle - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - Digital Download SKU: A0.1298050 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 12 pages. RayThompsonMusic #887972. Published by RayThompsonMusic (A0.1298050). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello.1. Grande ritournelle (Grand Ritornello) (This one)2. Marche franco-lunaire (Franco-Lunar March)3. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)4. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet with piccolo,but could be played on flute if no piccolo available.
$7.95
7.42 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Erik Satie
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Satie: La Belle Excentrique - Grand ritournelle - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: La Belle Excentrique II.Valse du "Mystérieux Baiser dans l'Oeil" - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1303281 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 17 pages. RayThompsonMusic #892863. Published by RayThompsonMusic (A0.1303281). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) 2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye) (This one)3. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet .
$14.95
13.95 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Erik Satie
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Satie: La Belle Excentrique II.Valse du "Mystérieux Baiser dans l'Oeil" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: La Belle Excentrique - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1303701 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1303701 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 31 pages. RayThompsonMusic #893257. Published by RayThompsonMusic (A0.1303701). Arranged standard wind quintet.Flute doubles on piccolo in the Ritournelle.La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) 2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)3. Cancan Grand-Mondain (High-Society Cancan)Great fun to perform.
$29.95
27.95 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Erik Satie
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Satie: La Belle Excentrique - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: La Belle Excentrique - Marche franco-lunaire - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1298857 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,March. 11 pages. RayThompsonMusic #888706. Published by RayThompsonMusic (A0.1298857). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) (This one)2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)3. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet .
$9.95
9.29 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Erik Satie
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Satie: La Belle Excentrique - Marche franco-lunaire - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Ange Flégier: Le Manoir for baritone voice and piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533424 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533424 Composed by Ange Flégier. Concert,Halloween,Romantic Period,Standards. 15 pages. Musik Fabrik Music Publishing #2913661. Published by Musik Fabrik Music Publishing (A0.533424). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Baritone Voice and Piano.Toccata Classics, 2016. In d minor Duration: aprox. 5 minutes 00 secondsIl est un vieux manoir à la muraille altière,Là règne un grand seigneur à l’âme impie et fière,Que l’on redoute aux environs,Le plus cruel des hauts barons!Lorsque tombe la nuit, il quitte la tourelleEn s’écriant: amis, courons!Puis l’arme au poing, le coeur gonflé de rage,Ils s’en vont répandant l’effroi sur leur passage!Refrain:Et Satan, l’oeil en feu, palpitant de bonheur,Enfin sûr de sa proie est près du vieux seigneur!Un soir qu’il chevauchait dans la forêt prochaine,Le diable, le suivant, l’entraîna dans la plaine,Et s’élança sur lui soudainEn blasphémant saisit sa mainEt demi-mort d’effroi, tout pâle et sans défense,Le renversa sur le chemin;Puis l’entrainant, malgré sa résistance,L’emporta d’un seul bond, dans sa fournaise immense!On dit que tous les soirs, près de la tour tremblante,On entend retentir une voix languissante,Qui remplit l’air de cris affreux;Puis on croit voir briller des feux.C’est l’âme du baron qu’avec lui, sur la terre,La nuit, Satan traîne en tous lieux;Et du château les noirs oiseaux de proie,Seuls seigneurs désormais, poussent des cris de joie!
$11.95
11.15 €
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Ange Flégier
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Ange Flégier: Le Manoir for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ange Flégier: Le Manoir for bass voice and piano
Low voice, Piano
Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533425 Composed by Ange …
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Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533425 Composed by Ange Flégier. Concert,Halloween,Romantic Period,Standards. 15 pages. Musik Fabrik Music Publishing #2913665. Published by Musik Fabrik Music Publishing (A0.533425). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In b minor Duration: aprox. 5 minutes 00 secondsIl est un vieux manoir à la muraille altière,Là règne un grand seigneur à l’âme impie et fière,Que l’on redoute aux environs,Le plus cruel des hauts barons!Lorsque tombe la nuit, il quitte la tourelleEn s’écriant: amis, courons!Puis l’arme au poing, le coeur gonflé de rage,Ils s’en vont répandant l’effroi sur leur passage!Refrain:Et Satan, l’oeil en feu, palpitant de bonheur,Enfin sûr de sa proie est près du vieux seigneur!Un soir qu’il chevauchait dans la forêt prochaine,Le diable, le suivant, l’entraîna dans la plaine,Et s’élança sur lui soudainEn blasphémant saisit sa mainEt demi-mort d’effroi, tout pâle et sans défense,Le renversa sur le chemin;Puis l’entrainant, malgré sa résistance,L’emporta d’un seul bond, dans sa fournaise immense!On dit que tous les soirs, près de la tour tremblante,On entend retentir une voix languissante,Qui remplit l’air de cris affreux;Puis on croit voir briller des feux.C’est l’âme du baron qu’avec lui, sur la terre,La nuit, Satan traîne en tous lieux;Et du château les noirs oiseaux de proie,Seuls seigneurs désormais, poussent des cris de joie!
$11.95
11.15 €
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Low voice, Piano
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Ange Flégier
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Ange Flégier: Le Manoir for bass voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jacques Leguerney: Élégie for medium voice and piano
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fab…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fabrik Music Publishing. 20th Century,Concert,Standards. Score. 5 pages. Musik Fabrik Music Publishing #2343119. Published by Musik Fabrik Music Publishing (A0.533321). A setting by Leguerney of a poem by Marceline Desbordes-Valmore. The range is Csharp3-Fsharp4Peut-être un jour sa voix tendre et voilée M'appellera sous de jeunes cyprès : Cachée alors au fond de la vallée, Plus heureuse que lui, j'entendrai ses regrets. Lentement, des coteaux je le verrai descendre ; Quand il croira ses pas et ses vœux superflus, Il pleurera ! ses pleurs rafraîchiront ma cendre; Enchaînée à ses pieds, je ne le fuirai plus. Je ne le fuirai plus ! je l'entendrai; mon âme, Brûlante autour de lui, voudra sécher ses pleurs ; Et ce timide accent, qui trahissait ma flamme, Il le reconnaîtra dans le doux bruit des fleurs. Oh ! qu'il trouve un rosier mourant et solitaire ! Qu'il y cherche mon souffle et l'attire en son sein ! Qu'il dise : « C'est pour moi qu'il a quitté la terre ; « Ses parfums sont à moi, ce n'est plus un larcin. » Qu'il dise : « Un jour à peine il a bordé la rive ; « Son vert tendre égayait le limpide miroir; « Et ses feuilles déjà, dans l'onde fugitive, « Tombent. Faible rosier, tu n'as pas vu le soir ! » Alors, peut-être, alors l'hirondelle endormie, À la voix d'un amant qui pleure son amie, S'échappera du sein des parfums précieux, Emportant sa prière et ses larmes aux cieux. Alors, rêvant aux biens que ce monde nous donne, il laissera tomber sur le froid monument Les rameaux affligés dont la gloire environne Son front triste et charmant. Alors je resterai seule, mais consolée, Les vents respecteront l'empreinte de ses pas. Déjà je voudrais être au fond de la vallée; Déjà je l'attendrais... Dieu ! s'il n'y venait pas !
$9.10
8.49 €
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Piano, Voice
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Musik Fabrik Music Publishing
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Jacques Leguerney: Élégie for medium voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jacques Leguerney: Heureux qui, comme Ulysse for voice and piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.533325 Composed by Jacques L…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.533325 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 6 pages. Musik Fabrik Music Publishing #2343155. Published by Musik Fabrik Music Publishing (A0.533325). A setting by Leguerney of a poem by Joachim de Bellay: Range is Eb3-G2Heureux qui, comme Ulysse, a fait un beau voyage,Ou comme cestuy-là qui conquit la toison,Et puis est retourné, plein d'usage et raison,Vivre entre ses parents le reste de son âge !Quand reverrai-je, hélas, de mon petit villageFumer la cheminée, et en quelle saisonReverrai-je le clos de ma pauvre maison,Qui m'est une province, et beaucoup davantage ?Plus me plaît le séjour qu'ont bâti mes aïeux,Que des palais Romains le front audacieux,Plus que le marbre dur me plaît l'ardoise fine :Plus mon Loire gaulois, que le Tibre latin,Plus mon petit Liré, que le mont Palatin,Et plus que l'air marin la doulceur angevine.
$7.74
7.22 €
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Piano, Voice
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Jacques Leguerney
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Jacques Leguerney: Heureux qui, comme Ulysse for voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tourbillon d?âmes I et II
Guitar
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4267 Composed by José-Luis Nar…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4267 Composed by José-Luis Narvaez. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4267. Published by Les Productions d'OZ - Digital (ZZ.DZ-4267). «Tourbillon d'âmes I» est un éloge à la danse, avec ses notes staccato qui font penser au «tourbillon» mécanique de l'horloge.Le Tourbillon II, plus développé avec son rythme 6/8, invite à la danse amoureuse, à la fuite du temps...Ces Tourbillons d'âmes sont dédiés à la personne qui les a inspirés.Tourbillon d'âmes I is a eulogy to dance, with its staccato notes which are reminiscent of the mechanical whirlwind of the clock.The Tourbillon II, more developed with its 6/8 rhythm, invites you to a love dance, to escape time...These Soul Swirls are dedicated to the person who inspired them.
$5.95
5.55 €
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Guitar
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José-Luis Narvaez
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Tourbillon d?âmes I et II
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Les Productions d'OZ - Digital
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SheetMusicPlus
Nevermore for alto and classical guitar (mp3)
Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1387471 By András Csáki (g…
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Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 167. David Warin Solomons #971325. Published by David Warin Solomons (A0.1387471). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat majorThe poem and English translation are as follows:Nevermore Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$5.50
5.13 €
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András Csáki
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Nevermore for alto and classical guitar
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David Warin Solomons
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SheetMusicPlus
Nevermore for alto and classical guitar
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1373984 Composed by D…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1373984 Composed by David Warin Solomons. 20th Century,Contemporary. Score. 8 pages. David Warin Solomons #958551. Published by David Warin Solomons (A0.1373984). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat major The pdf contains score and separate guitar partThe poem and English translation are as follows:Nevermore Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$10.00
9.33 €
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Piano, Vocal and Guitar
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David Warin Solomons
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Nevermore for alto and classical guitar
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David Warin Solomons
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SheetMusicPlus
Two Wrongs Don't Make A Right by Oliver Johnson
Baritone Saxophone,Bass Guitar,Drum Set,Organ,Piano,Trumpet,Voice - Digital Download SK…
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Baritone Saxophone,Bass Guitar,Drum Set,Organ,Piano,Trumpet,Voice - Digital Download SKU: A0.1072570 Composed by Dwight Leroy Quinn. Blues,R & B. Full Performance. Duration 330. D.L. Quinn Music Publishing Company #4580371. Published by D.L. Quinn Music Publishing Company (A0.1072570). Who threw that,ROCK in my BLUES, well it looks like Oliver Johnson did. The guy that brought the trumpet to soul, he have kicked 2019 off to a hot-rock start with his new CD Single Two Wrongs Don't A Right written and composed by Dwight Quinn. Oliver has for long time been wanting to do a Hot Bluesy Rock style song like ,Two Wrongs Don't A Right ,Oliver soon found a little time off from his busy touring schedule last year 2018,and he got with Dwight and they made it happen.Oliver has enjoyed an awesome career growth on his big hit,Daydreaming Again. Two Wrongs Don't A Right will be Oliver's 9th album on the Quinn Records TM Label.
$1.99
1.86 €
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Dwight Leroy Quinn
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Two Wrongs Don't Make A Right by Oliver Johnson
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D.L. Quinn Music Publishing Company
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SheetMusicPlus
Debussy: Piano Preludes Bk.1 No.4 Les sons et les parfums tournent dans l'air du soir - symph. wind
Large Ensemble - Level 5 - Digital Download SKU: A0.606424 Composed by Claude Debus…
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Large Ensemble - Level 5 - Digital Download SKU: A0.606424 Composed by Claude Debussy. Arranged by RayThompsonMusic. 20th Century. Score and parts. 18 pages. RayThompsonMusic #215628. Published by RayThompsonMusic (A0.606424). Debussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres. This piece is from book 1 (Translates as The sounds and perfumes of the night air Arranged double wind quintet and bass Clarinet in A. (Bb parts also provided).
$14.95
13.95 €
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Claude Debussy
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Debussy: Piano Preludes Bk.1 No.4 Les sons et les parfums tournent dans l'air du soir - symph. wind
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RayThompsonMusic
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SheetMusicPlus
Thérèse Brenet : Quintet for two violins, viola, violoncello and piano
Piano Quintet,String Ensemble Piano - Level 5 - Digital Download SKU: A0.532827 Com…
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Piano Quintet,String Ensemble Piano - Level 5 - Digital Download SKU: A0.532827 Composed by Therese Brenet. Contemporary. Score and parts. 67 pages. Musik Fabrik Music Publishing #44853. Published by Musik Fabrik Music Publishing (A0.532827). 1. Une vision continuellement renouvelée par l'émotion II. Les forces expressives d'attraction semblent aller en s'amplifiant III. Les chants flamboyants tournoient et s'entrechoquent en un bouillonnement intense Perhaps the composition of a string quartet is a task for the mature age of a composer. It could be that this sort of work could be seen as a sort of musical will. Whatever the case, the author wanted to use, as much as possible, the great expressive possiblities of this ensemble. The quartet and the piano, by attraction or repulsion, share their specific forces and come together in a flamboyant osmosis. In each of these three movements, one can see the manifestations of a great sonic mass, an intense emotion and, the author hopes, the beauty of inspired music mvt 1 https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 2. https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 3. https://www.youtube.com/watch?v=rB1UlvGT9y4.
$25.95
24.22 €
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Therese Brenet
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Thérèse Brenet : Quintet for two violins, viola, violoncello and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
David, Félicien : A une Smyrniote (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix duvres classiques, allant de la Renaissance à lépoque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes dune valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à lunité, a fait lobjet dun travail éditorial attentif, tant sur le plan de létablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces uvres.<br><br>Les partitions sont proposées sous la forme douvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>En 1836, le compositeur Félicien David édite les « Mélodies orientales ». Elles comptent au total vingt et une pièces dont dix-huit ont été rééditées en 1845 sous le titre « Brises d'Orient » et trois autres sous le titre « Les Minarets ». Lorsqu'elles sortent, ces mélodies n'obtiennent pas un grand succès. Deux raisons peuvent l'expliquer. D'une part, un incendie détruit une partie des stocks de partitions imprimées. D'autre part, le public, qui avait aimé les « Orientales » du poète Victor Hugo et les « Pestiférés de Jaffa » du peintre Eugène Delacroix, ne semblait pas être attiré par l'orientalisme musical.<br>Les brises d'Orient possèdent la puissance des charmes orientaux plutôt doux. Le compositeur traduit à merveille l'atmosphère orientale en marquant les rythmes par des basses étonnantes.<br>Plus que des formes traditionnelles, ce qu'il faut retenir de ces pièces est le fait qu'elles racontent de belles histoires avec toujours une dynamique très réussie de passages lents et de passages vifs et rapides.<br>L'écriture de Félicien David ne manque pas de couleurs. Cependant il n'essaie pas d'appliquer l'exotisme du Moyen-Orient. Les mélodies chantent naturellement à travers ses pièces.<br>En écoutant « à une Smyrniote » comme dans les autres pièces se révèle un orientalisme assez peu oriental pour nous aujourd'hui. A l'origine, l'orientalisme est un mouvement artistique, ce qui signifie qu'il ne peut être fidèlement lié à la reproduction de la réalité.<br>Dans ce morceau, la mélodie est liée sans nul doute à la basse harmonique très mise en valeur par des accentuations rythmiques qui constituent une assise solide.<br>Des reprises de passages musicaux dans l'enchaînement de l'oeuvre révèlent des atmosphères complètement différentes, suggérant au pianiste un nouveau fil conducteur dans l'interprétation. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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David, Félicien
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A une Smyrniote
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Note4Piano
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